CLEMENS VON WEDEMEYER
Bibliography


Monographs / Exhibition Catalogues

2016 ∙ Clemens von Wedemeyer: Orte unter Einfluss / Affected Places, Spector Books, Leipzig /   
               Hamburger Kunsthalle, 2016
2011 ∙ Maya Schweizer / Clemens von Wedemeyer. Metropolis. Bericht über China,
               Frankfurter Kunstverein
2010 ∙ The Repetition Festival Show, Project Arts Centre, Dublin, Fondazzione Galleria
               Civica, Trento 2010/201
2009 ∙ “Clemens von Wedemeyer presents” exhibition at CGAC, Santiago de
               Compostela, Spain. 2009, Spector Books Leipzig
2008 ∙ Schmidt-Rottluff Stipendium, Kunsthalle Düsseldorf, Germany
2006 ∙ Clemens von Wedemeyer. Filme/films, Kölnischer Kunstverein, Verlag der                   
              Buchhandlung Walther Koenig, 2006 Text by Ekaterina Degot and
              Beatrice von Bismarck
2002 ∙ Clemens von Wedemeyer, Marion Ermer Preis, published by Marion Ermer
             Stiftung, 2002Text by Alexander Koch

Artists Books

2013 ∙ Fimmaterial 5 [The Cast], MAXXI Rome
2010 ∙ Filmmaterial 4 [The Fourth Wall]. KOW with Spectors Books, Leipzig and Archive
               Books, Berlin/ Turin
2009 ∙ Screenplaz, Spector Books.
2006 ∙ Variation sur Metropolis, with Maya Schweizer, onestar press, Paris,
               France, 2006
            ∙ Filmmaterial 3 [Rien du tout] with Maya Schweizer, 2006
2005 ∙ Filmmaterial 2[Silberhöhe/Die Siedlung (The New Estate)] GASAG Art
               Award, Berlin, 2005
            ∙ Filmmaterial 1[Otjesd/Leaving] Galerie Jocelyn Wolff and Revolver Verlag

Group Exhibition Catalogues

2015 ∙ Jeux sérieux. Cinéma et art contemporains transforment l’essai, Mamco     
               Genève and HEAD-Genève. Interview by: Sarah Aguilar and Clara Schul-   
               mann with Clemens von Wedemeyer
             ∙ The Day Will come. WHEN THERE IS HOPE Vol. #5 anlässlich der Triennale     
                der Photographie, Hamburger Kunsthalle. Texts by Dr. Petra Roettig
2014 ∙ Fremd&Eigen, Foreign&Familiar, Galerie im Taxispalais Innsbruck
             ∙ Herz, Reiz und Gefühl, Museum der bildenden Künste Leipzig, Hg. Ana Dimke
               und Hans Werner Schmidt
             ∙ High Performance. Time-based Media Art since 1996, Hg. ZKM,
               Karlsruhe und Julia Stoschek Foundation e.V., Düsseldorf erschienen im
               Distanz Verlag, Berlin
             ∙ The Ultimate Capital is the Sun Metabolismus in Kunst, Politik, Philosophie   
               und Wissenschaft, nGbK, Berlin
2013 ∙ Monday begins on Saturday, Bergen Assembly
             ∙ What we see, The National Museum of Art, Osaka, Japan
             ∙ Crossing Media - Der Kunst die Bühne. Summer Nights of Moving Images,     
               Villa Merkel, Esslingen  Hg: Andreas Baur
             ∙ Nutzflächen-OWL3, Hg. Marta Herford, Texte: Friederike Fast, Roland                
               Nachtigäller, Verlag: Kerber, Bielefeld
             ∙ Future Perfect - Zeitgenössische Kunst aus Deutschland,
               Hg: Elke aus dem Moore, Institut für Auslandsbeziehungen e.V. (ifa), Verlag
               für moderne Kunst, Nürnberg
             ∙ Momentum 7: Dare 2 Love Yourself curated by Erlend Hammer Six impossible
               and Things Before Breakfast curated by Power Ekroth
             ∙ KINO und der Kinematografische Blick darin: Clemens von Wedemeyer,
               beim Verlassen des Kinos, Hg: Axel Lapp und Mewo Kunsthalle Memmingen
             ∙ Pièces Montrées- Musée d’Art moderne et contemporain Strasbourg, Frac                     
               Alsace
2012 ∙ Das Buch der Bücher, dOCUMENTA (13) Katalog 1-3. Hatke Cantz Verlag,
               Ostfildern, Germany
            ∙ Die Stadt, die es nicht gibt. Bilder globaler Räume, Ludwig Forum Aachen, 2012
            ∙ VI5IONS, 15 years Deutsche + Guggenheim, Deutsche Bank AG, Solomon R. 
              Guggenheim Foundation, 2012
            ∙ Clemens von Wedemeyer CIRCA projects Exhibition Text: Axel Lapp, published
              by CIRCA, Sunderland publication
            ∙ Intense Proximity: An Anthology of the Near and the Far, Triennale de Paris                     
              Edited by Palais de Tokyo, Okwui Enwezor
2011 ∙ My City, CFCU, British Council, Turkey Anadolu Kültür & Platform Garanti
              Contemporary Art Center
            ∙ The Repetition Festival Guide Edited by: Tessa Giblin, Saskia Vermeulen,
               Rhea Gaardboe Dall, Kunsthal Charlottenborg
            ∙ villa 30 Künstler blicken auf Deutschland, Jüdisches Museum Berlin Stiftung,
              Jüdisches Museum Berlin, Hirmer Verlag
2010 ∙ Comrades of Time, exhibition catalogue Pavilion Unicredit- Journal for
               politics and culture, 2010, Bucarest, Rumania
            ∙ The Witness, Edited by Elena Volpato, Paolo Caffoni, Archive Books
            ∙ Nineteeneighteenfour, Austrian Cultural Forum
2009 ∙ Fondation Luis Vuitton Pour LA CREATION The Collection A Choice,
               exhibtioon catalogue publish with the occation of the exhibition of the same
               name. Printed in France
            ∙ Actors and Extras, exhibition catalogue Argos Centre for Art and Media,
               Brussels, Belgium
            ∙ Mnemosyne, Látlante delle immagini, exhibition catalogue Centro Arti Visive
               Pescheria
            ∙ Of other Spaces, exhibition catalogue, Bureau for Open Cultrue at Columbus
               College of Art and Design, 2009 Columbus, US
            ∙ Utopics, exhibition catalogue, 11th Swiss Sculpture Exhibition, Bienne
2008 ∙ Villa Romana awardee fellows, Deutsche Guggenheim, Berlin, 2008
              interview with Clemens von Wedemeyer by Bert Rebhandl
          ∙ 7th Shanghai Biennial: Translocalmotion Duoyunxuan, Shanghai
          ∙ Euroasia: Dissolvence geografiche dell’arte Skira, Milano
          ∙ The Artist as Public Intellectual?, edited by Stephan Schmidt-Wulffen, Schriften der   
              Akademie der bildenden Künste Wien, Bd. 1
          ∙ The Shanghai Papers Hatje Kantz, Ostildern, 2008
          ∙ Colateral 2: Quando a arte olha cinema SESCSP, Sao Paulo, 2008,                               
              HangarBicocca, Milao. Curator: Adelina von Furstenberg
2007 ∙ Sculpture projects muenster 07, Verlag der Buchhandlung Walther König,
               Köln, Germany, 2007
               Text by Brigitte Franzen, Kasper König, Carina Plath
            ∙ Skulptur projekte muenster 07, Vorspann, Verlag der Buchhandlung
               Walther König, Köln, Germany, 2007
               Interview with Clemens von Wedemeyer by Sabine Huzikiewiz
            ∙ Le Nuage Magellan, Musée national d’art moderne – Centre Pompidou,
               Paris, France, 2007
            ∙ Clemens von Wedemeyer, Max Pechstein Preis, Städtisches Museum
                Zwickau, Germany, 2007. Text by Beatrice von Bismarck
            ∙ Looking for a fictional eye, interview with Maya Schweizer & Clemens von
              Wedemeyer by Joanna Mytkowska
            ∙ Collateral, Hangar Bicocca, Milano, 2007, curators: Adelina von
              Fürstenberg, Anna Daneri, Andrea Lissoni
            ∙ Umbau / Modification, Neue Kunst Halle St. Gallen, 2007
              Texts by Burkhard Meltzer, Sabine von Fischer
            ∙ Kopf oder Zahl, Kunstraum NOE, Vienna, 2007, curator: Helmut Mark
            ∙ Auszeit. Texts by Friedmann Malsch, Freddy Paul Grunert, Jochen Gerz, Kristin
              Schmidt Publisher : Verlag für moderne Kunst Nürnberg. Curated by
              Friedmenn Malsch, Kunstmuseum Liechtenstein.
            ∙ Le nuage, Magellan Publisher: éditions du Centre Pompidou
            ∙ The Max-Pechstein-Förderpreises of the City of Zwickau Beatrice von Bismarck,     
              published by Kunstsammlung der Städtischen Museen Zwickau
            ∙ Kunstfilm Biennale, 2007 Köln
            ∙ Come and Go: Fiction and Reality Fundacao Calouste Gulbenkain, Lisbon
            ∙ Final Cut: Medien Kunst und Kino/Media Art and Cinema European Media Art
              Festival, Kunsthalle Dominionkirche, Osnabrück. Curator: Herman Norig,
              Text by: Tasja Langenkamp
2006 ∙ Kölnischer Kunstverein catalogue published by Walther Koenig
              Text by Ekaterina Degot and Beatrice von Bismarck, 2006
2005 ∙ Silberhöhe/Die Siedlung (The New Estate), GASAG Art Award, Berlin, 2005
            ∙ Otjesd/Leaving, artist book, Galerie Jocelyn Wolff and Revolver Verlag 2005
            ∙ Kunstpreis der Böttcherstrasse in Bremen, Kunsthalle Bremen, 2005
            ∙ Moscow Biennale of contemporary art, Moscow, 2005
            ∙ Deutschland sucht, Kölnischer Kunstverein, Köln 2005
            ∙ Cremers haufen. Alltag. Prozesse. Handlungen: Kunst der 60er Jahre und
               heute, Westfälisches Landesmuseum für Kunst und Kulturgeschichte,
               Münster, Kerber Verlag. Text by Maïté Vissault
2006 ∙ Déjà-vu, Der Augen-Blick der Nachträglichkeit in der zeitgenössischen Kunst.
              Texts: Thomas Trummer, Peter Krapp, Atelier Augarten, Vienna
            ∙ Mind The Map! History is not Given, A Critical Anthology based on the Symposium      
              Revolver. Edited by Marina Grzinic, Gunther Heeg, Veronika Darian, Frankfurt
            ∙ Von Mäusen und Menschen. Of Mice and Men. 4. berlin biennale für zeit-             
              genössische Kunst, Hatje Cantz Verlag, Berlin
2005 ∙ Silberhöhe/Die Siedlung (The New Estate), GASAG Art Award, Berlin
           ∙ Otjesd/Leaving, artist book, Galerie Jocelyn Wolff and Revolver Verlag
           ∙ Kunstpreis der Böttcherstrasse in Bremen, Kunsthalle Bremen,
           ∙ Moscow Biennale of contemporary art, Moscow
           ∙ Deutschland sucht, Kölnischer Kunstverein, Köln
           ∙ Cremers haufen. Alltag. Prozesse. Handlungen: Kunst der 60er Jahre und heute,      
             Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster,
             Kerber Verlag. Text by Maïté Vissault
           ∙ Pantagruel Syndrome: 1st Torino Trienalle Skira, Milano
           ∙ In the middle of the Night: Die Neurwerbungen seit 1996 Kerber Verlag,
             Bielefeld, Kunsthalle Bielefeld
           ∙ Schrumpfende Städte, Band 1: Internationale Untersuchung, Hatje Cantz Verlag,   
             Ostfildern-Ruit
2004 ∙ Der Sprung im Wasserglas Verfahren im Raum. Kunstraum B/2, Leipzig
           ∙ cremers.haufen - .alltag.prozesse.handlungen: kunst der 60er jahre und heute.
             Text: Maïté Vissault, exhibition catalogue, Westfälisches Landesmuseum für Kunst
             und Kulturgeschichte in Münster
2003 ∙ Lautloses Irren, published by flux I bell sTRUcTURs e. V. Berlin.
             Text by Harm Lux, Postbahnhof am Ostbahnhof
           ∙ 1. Moscow Biennial of Contemporary Art: Dialectics of Hope Text: Eiko Grimberg
           ∙ European Media Art Festival, Osnabrück. Catalogue of festival
1998 ∙ focus – filterlos, published by University of Applied Science Dortmund, (CD-ROM)

Articles (selection)

2015 ∙ Review: Clemens von Wedemeyer - Kunstverein Braunschweig, FRIEZE d/e,
              No. 18.März-April 2015, Article by Jörg Heiser
            ∙ The Shell, Camera Austria International 129, Text by Clemens von Wedemeyer,
              Eiko Grimberg, Marco Poloni
2014 ∙ Review: Clemens von Wedemeyer: The Cast, Camera Austria International 125
            ∙ Clemens von Wedemeyer: The Cast. Camera Austria no. 125, 2014, p. 78, 
              Article by Rainer Bellenbaum, Article by Rainer Bellenbaum
2013 ∙ Bergen Assembly, Kunstforum, 04-09-2013. Article by Monica Holmen
            ∙ Mythos und Spektakel. Clemens von Wedemeyer im MAXXI Rom, Bauwelt Nr. 47
              Article by Verena von Beckerath
            ∙ Features. Het primitieve in ons. Metropolis M, n°4, August/September 2013,
               page 72-78. Article by Kerstin Winking
            ∙  Subject put to the test, Texte zur Kunst, n° 90, June 2013. Article by Sabeth
               Buchmann & Constanze Ruhm
            ∙ Tempel der MTV-Generation, art guide, Messe-Spezial, Art Cologne, April
               2013, page 26-29. Article by Michael Kohler
            ∙ Neues in Memmingen, Schwäbisches Tagblatt, 09-04-2013,
            ∙ Interview mit Julia Stoschek. “Ich erwarte Achtung vor der Kunst”, monopol,
               08-04-2013. Article by Alexandra Wach
            ∙ Kino und der kinematografische Blick; KUNST Magazin, 05-04-2013, page
               12-18. Article by Axel Lapp
             ∙ 3 channel filminstallation soon at ART COLOGNE, der weisse hai ist gut,
               02-04-2013. Article by Mario Mentrup
2012 ∙ In den bröckelnden Kulissen der Zukunft, monopol, 11-12-2012. Article by
              Alexandra Wach
            ∙ Experimentieren mit Film, kreuzer online, 05-12-2012. Article by Janna
               Steenfatt
           ∙ Kassel kauft Penones Bronze-Baum, 3sat, 16-11-2012,
           ∙ The Fourth Wall, an installation by Clemens von Wedemeyer, Dundesin
               Public Art Gallery April 16 – Oct 28, circuit, 30-10-2012. Article by Pieter
               Haydensieck
           ∙ Life in Film: Clemens von Wedemeyer, frieze, n° 150, October 2012
           ∙ Documenta 13, ARTFORUM, October 2012, page 254. Article by Daniel
              Birnbaum
           ∙ Documenta 13, ARTFORUM, October 2012, page 256, Article by Dieter
              Roelstraete
           ∙ dOCUMENTA (13), RA Magazine Blog, 28-09-2012. Article by Sam Phillips
           ∙ Review of Documenta 13,On-Verge, 27-09-2012. Article by Pac Pobric,
           ∙ Festivals: dOCUMENTA (13), or, The Longest Presence, filmcomment, 19-09-
               2012. Article by Olaf Möller
           ∙ Berlin Art Week. Und Blixa Bargeld tönt asdfghjklö”, Frankfurter Allgemeine
               Zeitung, Feuilleton, 15-09-2012. Article by Antje Stahl
           ∙ Clemens von Wedemeyer, Documenta Parcours # 25, art, 13-09-2012,
           ∙ Wer braucht schon ein Motto?, monopol, 13-09-2012. Article by Silke
              Hohmann,
           ∙ Berlin Art Week: Wohin am Freitag?, monopol, 13-09-2012
           ∙ Wo man auf der “Berlin Art Week” hingehen sollte, Berliner Morgenpost, 10-
              09-2012. Article by Gabriela Walde
           ∙ Berlin ist, wie du dich fühlst, Die Welt, 09-09-2012. Article by Gesine
              Borcherdt
           ∙ Weekender: Artists to watch!, Liga Studios, 26-08-2012. Article by Dana
              Weschke
           ∙ Une documenta historique, Beaux Arts, August 2012, Article by Emmanuelle
              Lequeux
           ∙ Durch die vierte Wand – Clemens von Wedemeyer, Goethe Institut, July
              2012. Article by Daniela Gregori
           ∙ Impressionen von der “documenta (13)” – Teil IV, Regenimsommer, 25-07-
              2012
           ∙ Documenta 13, Clemens von Wedemyer, kunst und film, 10-07-2012. Article
              by Hannah Osterkorn
           ∙ Plattenbauten und Gefängnisse als Schauplätze. Documenza-Künstler
              Clemens von Wedemeyer im Porträt. Deutschlandradio Kultur, 09-07-2012.
              Article by Eva Hepper
           ∙ Art on the Tracks at dOCUMENTA, Art in America, 20-06-2012. Article by
              Gregory Volk
           ∙ Documenta 13: politica y optimista, El Pais, 10-06-2012. Article by Estrella de
              Diego
           ∙ Bruder Baum, Schwester Kunst, profil, 09-06-2012. Article by Thomas
              Edlinger
           ∙ The Art Exhibition Documenta Contains Almost Too Much Good Art to
              Experience, The daily Beast, 09-06-2012. Article by Blake Gopnik
           ∙ Mit beseelten Meteoriten raus us der Schockstarre, derStandart, 07-06-2012.
              Article by Anne Katrin Fessler
           ∙ Ende der Geheimnisse – die erste Documenta-Kritik, Die Welt, 06-06-2012.
              Article by Hansy-Joachim Müller
           ∙ Kulturstaatsminister Bernd Neumann hat Rom-Preise 2013 der Villa Massimo
              vergeben, Pressemitteilung 183 der Bundesregierung, 01-06-2012
           ∙ Experten empfehlen, ARTINVESTOR, N° 06/12, page 36
              Clemens von Wedemeyer : The site creates Simultaneity, Mousse n° 34.
              Article by Bert Rebhandl
           ∙ Temporality, Sociality, Publicness: Cinema as Art Project, Afterall Magazine,
              n°29, Spring 2012. Article by Maeve Connolly
2011 ∙ Communitas. Kunstforum International, n°209, Juli-August 2011, page
               378/379. Article by Hans-Jürgen Hafner
           ∙ Davvero un bel filmone, Rolling Stone Italia, July 2011. Article by Andrea Lis
              soni
           ∙ “Communitas”-Ausstellung in der Grazer Camera Austria: Die Bilder einer
              Gemeinschaft, Kronen Zeitung Graz, 09-04-2011, page 47. Article by
              Michaela Reichart
           ∙ Camera Austria. Der Traum von Utopien, Kleine Zeitung Graz, 08-04-2011,
              page 87. Article by Walter Titz
           ∙ CVW par CVW. Clemens von Wedemeyer – The Repetition Festival Show,
              ZERO DEUX, n° 57, Printemps 2011, page 50/51. Article by Patrice Joly
           ∙ Opening, arte de la emergencia, El Pais, 18-02-2011. Article by Angeles
              Garcia
           ∙ True Stories, The Dubliner, page 41. Article by Simon Judge
2010 ∙ The Cinematic, Flash Art, October 2010. page 79-82 Article by Jenny
              Schlenzka:
           ∙ November Paynter, Clemens von Wedemeyer: ‘Sun Cinema’, RES.
              Art World/World Art, No 6, October 2010
           ∙ Robin Eckhardt: ‘An Ancient City in Turkey Finds New Life in Modern Art’,
              The New York Times, 19 August 2010
           ∙ Quinn Latimer: ‘Mono: Clemens von Wedemeyer’, Kaleidoscope, 7,
              Summer 2010
           ∙ Paolo Caffoni: ‘The history of inspiration continues..’, Mousse Magazine,
              23, April–Mai 2010
           ∙ Dominikus Müller: ‘Clemens von Wedemeyer’, Artforum, Mai 2010
           ∙ Sabine Russ: ‘Clemesn von Wedemeyer’, artinamericamagazine.com, 26
              April 2010
           ∙ Ingeborg Wiensowki: ‘Falsche Wilde in Berliner Ruinen’, Spiegel.de,
              17 März 2010
           ∙ Berlin. The History of Inspiration Continues…, Mousse Magazine, n°23,
              April-May 2010, page 118-123. Article by Paolo Caffoni
2009 ∙ Clemens von Wedemeyer, The Fourth Wall, Londen, The Curve, Barbican
               Art Center, Metropolis M, n° 5-2009. Article by Giovanni Carmine
            ∙ Clemens von Wedemeyer, Flash Art, n°83, July-September 2009.
               Article by Antonia Lotz
            ∙ Geschichte und Fiktion, ein roundtables Gespräch mit Yael Bartana,
               Maryam Jafri, Romuald Karmaker and Clemens von Wedemeyer. Texte zur
               Kunst, Heft 76, Dezember 2009
2008 ∙ Dokumentarisches Dichten, über filmische Verfahren bei Clemens von
               Wedemeyer, Kultur & Gespenster, n° 6-2008. Article by Jens Asthoff
            ∙ Átépítés alatt: A mozi mint az „elfojtás helye“ és mint „apparátus“ Clemens
               von Wedemeyer munkáiban, Balkon, n° 11-12, 2008.
               Article by Kékési Zoltán
            ∙ Tales from the City, Frieze, April 2008. Article by Polly Staple
2007 ∙ Antonioni’s Gaze, Flash Art, October 2007. Article by Lupe Nunez-Fernandez
            ∙ Clemens von Wedemeyer: Wackel – Blick auf den Bahnhof, Westfälische
              Nachrichten, June 2007. Article by Lukas Speckmann
            ∙ Le Nuage Magellan, Jeu de reconstruction, 02, n°41, Printemps 2007.
              Article by Aude Launay
2006 ∙ Clemens von Wedemeyers Short Film “Otjezd”, www.artmargins.com,
               09-09-06, Article by Ekaterina Degot
            ∙ An Interview with Clemens von Wedemeyer on the filming of “Otjezd”,
              www.artmargins.com, 09-09-06. Article by Sven Spieker
            ∙ Clemens von Wedemeyer, Artforum, summer 2006. Article by Astrid Wege
            ∙ Clemens von Wedemeyer, Frieze 100, august 2006. Article by Catrin Lorch
            ∙ Clemens von Wedemeyer, www.shortfilm.de, 12-07-06
            ∙ Clemens von Wedemeyer, Frog, Paris, n°3, printemps-été 2006
              Article by Pierre Bal-Blanc
            ∙ Clemens von Wedemeyer, StadtRevue Köln Magazin, April 2006
            ∙ Clemens von Wedemeyer, Springerin, Heft 3/06. Article by Alexander Koch
            ∙ Die Entdeckung des Ostens, Frankfurter Allgemeine Zeitung, 26-02-2006
             Article by Niklas Maak
2005 ∙ Clemens von Wedemeyer, Kunstmagazin, August 2005
               Article by Kristina Tieke
            ∙ Le Lieu de la fiction: sur le travail de Clemens von Wedemeyer. Archistorm,
               Paris, May-June 2005. Article by Christophe Catsaros
            ∙ Mellanvärldar, ov Clemens von Wedemeyer, Paletten, Stockholm, May
               2005, Article by Sinziana Ravini
            ∙ Clemens von Wedemeyer, Im Zwischenraum der Bilder, Kunst-Bulletin,
               Zürich, April 2005. Article by Jens Emil Sennewald
2004 ∙ Clemens von Wedemeyer, Flash art magazine, Milano, Oct. 2004
               Article by Thomas Boutoux
            ∙ Clemens von Wedemeyer, Regard sur le réel, ETC Montréal, Montréal, #
               65, March-May 2004. Article by Maïté Vissault (French)
            ∙ Die Adressaten auf der Ansichtskarte, Die Tagezeitung, Berlin, March 2004
               Article by Jens Kastner
2003 ∙ Vorbilder - Lichtspiele – Nachbilder, Kunstbulletin, Zürich, Dec. 2003
               Article by Jens Emil Sennewald
            ∙ The world has never stopped laughing, Review, Neue Review # 02, Berlin
               2003. Text by Ines Schaber and Teresa Seemann
            ∙ Die Gedanken sind frei, Kreuzer Leipzig #03, March 2003
2002 ∙ seeyouatthepremierefair, Review, Kunstforum International #162, Dec. 2002
            ∙ Verschiebungen zwischen Filmen, Spector Cut & Paste, Issue 2, Leipzig, June
           
Other

2014 ∙ Les chercheurs d'or. Films d'artistes, histoires de l'art, Les presses du réel     
              by Clara Sculmann, Jul 2014
            ∙ Politiche Della Memoria. Documentario e archivio, edited by E. Galasso and M.   
              Scotini, written by Clemens von Wedemeyer
            ∙ Raumverschiebung: Black Box – White Cube, Hg. Barbara Büscher, Verena               
              Elisabeth Eitel, Beatrix von Pilgrim, Georg Olms Verlag, Hildesheim
            ∙ Make_Shift City: Die Neuverhandlung des Urbanen, Hg. Francesca Ferguson,
               Urban Drift Projects, Jovis Verlag, Berlin
2013 ∙ Begriffe des Ausstellens (von A bis Z), Hg. Petra Reichensperger, u.a. mit einem
               Beitrag von Clemens von Wedemeyer
2012 ∙ 100 Notes – 100 Thoughts, N°092 Bambule: The Scrpit / das Regiebuch,
               dOCUMENTA (13), 2012
            ∙ Screen Dynamics. Mapping the Borders of Cinema, HG. Gertrud Koch, Volker  
               Pantenburg und Simon Rothöhler, FilmmuseumSynemaPublikationen15, Wien
2011 ∙ Beklenmedik Karsilasmalar, Edited by Fatos Ustek Zorlu Center, Istanbul, Turkey
2008 ∙ In Bewegung. Architektur und Kunst Jovis Verlag, Berlin, 2008.
               Text by Clemens von Wedemeyer: Beim Verlassen des Kinos.
               Also interview with Clemens Von Wedemeyerand Maurizio Ferraris,
               Peter Kogler, Ilona Németh
2007 ∙ Absinthe: New European Writing 8 Absinthe Arts, Michigan. Text by: Sarah Aguilar
2005 ∙ Transversale, No. 1/2005/ distanciation – compréhension / Abstand –
              Verständnis. Text: Clemens von Wedemeyer "Notizen zum Kinokomplex”, p.160.
2004 ∙ do it, Edited by Hans Ulrich Obrist, e-flux, Revolver. Archiv für aktuelle Kunst,
               New York, Frankfurt a Main